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Brown, Abbie, and Timothy D. Green. “Video Podcasting in Perspective: The History, Technology, Aesthetics, and Instructional Uses of a New Medium.” Journal of Educational Technology Systems 36, no. 1 (2007): 3–17. doi:10.2190/ET.36.1.b. 

 

Buenger, Barbara C. "Max Beckmann's Ideologues: Some Forgotten Faces." The Art Bulletin 71, no. 3 (1989): 453-79. Accessed January 8, 2020. doi:10.2307/3051138.

 

Buettner, Stewart. "Images of Modern Motherhood in the Art of Morisot, Cassatt, Modersohn-Becker, Kollwitz." Woman's Art Journal 7, no. 2 (1986): 14-21. doi:10.2307/1358300.

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Clinger, Catherine. “Theory of the Ridiculous: Jean Paul, Max Beckmann, and Dostoevsky’s Donkey.” Art History 33, no. 3 (2010): 512–33. doi:10.1111/j.1467-8365.2010.00736.x.

 

Deshmukh, Marion F. “German Impressionist Painters and World War I.” Art History Vol. 4, No. 1 (March, 1981). 66-79. doi:10.1111/j.1467-8365.1981.tb00697.x.

 

Deshmukh, Marion F. 1996. “‘Politics Is an Art’: The Cultural Politics of Max Liebermann in Wilhelmine Germany.” Studies in the History of Art 53 (March): 164–183. http://ezproxy.lindenwood.edu:2048/login?url=https://search-ebscohost-com.ezproxy.lindenwood.edu/login.aspx?direct=true&db=aft&AN=505768911&site=ehost-live.

 

Dominiczak, Marek H. 2017. “Art at the Time of Turmoil: Max Beckmann.” Clinical Chemistry 63 (9): 1552–54. doi:10.1373/clinchem.2016.266833.

 

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Falk, John H., and Lynn D. Dierking. The Museum Experience Revisited. Walnut Creek: Routledge, 2012. https://search.ebscohost.com/login.aspx? direct=true&AuthType=sso&db=e000xna&AN=506654&site=ehost-live. 

 

Forster-Hahn, Françoise. “How Modern is Modern? Max Liebermann and the Discourses of Modernism.” In Max Liebermann and International Modernism: An Artist’s Career From Empire to Third Reich, edited by Marion Deshmukh, Françoise Foster-Hahn, and Barbara Gaehtgens. United States of America: Berghahn Books, 2011.

 

Franciscono, Marcel. "The Imagery of Max Beckmann's The Night." Art Journal 33, no. 1 (1973): 18-22. Accessed February 5, 2020. doi:10.2307/775666.

 

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Frank, Mitchell. “Painterly Thought: Max Liebermann and the Idea in Art.” RACAR (Revue d’Art Canadienne/Canadian Art Review) 37, no. 2 (2012): 47–59. http://ezproxy.lindenwood.edu:2048/login?url=https://search-ebscohost-com.ezproxy.lindenwood.edu/login.aspx?direct=true&db=aft&AN=87597860&site=ehost-live.

 

Frisch, Walter. German Modernism: Music and the Arts. Los Angeles: University of California Press, 2005.

 

Grodzinski, Veronica. “The art dealer and collector as visionary: Discovering Vincent van Gogh in Whilhelmine Germany 1900-1914.” Journal of the History of Collections Vol. 21, No. 2 (2009): 221-228.

 

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Kay, Carolyn. “The Petersen Portrait: The Failure of Modern Art as Monument in Fin-de-Siecle Hamburg.” Canadian Journal of History 32, no. 1 (April 1997): 58-71. doi:10.3138/cjh.32.1.56.

 

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Partington, Matthew. "Ceramic Points of View: Video Interviews, the Internet and the Interpretation of Museum Objects." Journal of Design History 19, no. 4 (2006): 333-44. Accessed January 29, 2020. www.jstor.org/stable/4123018. 

 

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Rainbird, Sean. “A Dangerous Passion: Max Beckmann’s ‘Aerial Acrobats.’” Burlington Magazine 145 (February 2003): 96–101. https://search.ebscohost.com/login.aspx?direct=true&AuthType=sso&db=aft&AN=505046620&site=ehost-live.

 

Ralph, Jaya and Sonja Olsen. “Podcasting as an Educational Building Block in Academic Libraries.” Australian Academic & Research Libraries 38, no. 4 (2007): 270–79. doi:10.1080/00048623.2007.10721309. 

 

Reynolds, Rebecca. “Museum Audios for Design Students: Auditory Wallpaper or Effective Learning Support?” Art, Design & Communication in Higher Education 9, no. 2 (2010): 151–66. doi:10.1386/adch.9.2.151_1. 

 

Schaefer, Jean Owens.  “Kollwitz in America: A Study of Reception, 1900-1960.”  Woman’s Art Journal, vol. 15, no. 1 (Spring-Summer 1994): 29-34. https://www.jstor.org/stable/1358492.

 

Sharp, Ingrid. 2011. “Käthe Kollwitz’s Witness to War: Gender, Authority, and Reception.” Women in German Yearbook 27 (December): 87–107. doi:10.5250/womgeryearbook.27.2011.0087.

 

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Sutton-Mattocks, Julia. “Cycles of Conflict and Suffering: Aleksandr Dovzhenko’s Arsenal , and the Influence of Käthe Kollwitz and Willy Jaeckel.” Studies in Russian & Soviet Cinema 10, no. 1 (2016): 15–46. doi:10.1080/17503132.2016.1144279.

 

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“the infinite dial 2021.” Edison Research. Last modified March 11, 2021. https://www.edisonresearch.com/the-infinite-dial-2021-2/

 

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Vajoczki, Susan. “Podcasts: Are They an Effective Tool to Enhance Student Learning? A Case Study from McMaster University, Hamilton Canada.” Journal of Educational Multimedia & Hypermedia 19, no. 3 (2010): 349–62. https://search.ebscohost.com/login.aspx? direct=true&AuthType=sso&db=eft&AN=55413880&site=ehost-live. 

 

Vangen, Michelle. "Left and Right: Politics and Images of Motherhood in Weimar Germany." Woman's Art Journal 30, no. 2 (2009): 25-30. http://www.jstor.org/stable/40605296.

 

Webster, Tom. “The Music Industry’s Guide to Podcasting.” NAMM U Web Broadcast, 54:25. https://believeinmusic.app.swapcard.com/event/believe-in-music/planning/UGxhbm5pbmdfMjk4MjMx

 

Werner, Alfred. "The Forgotten Art of Max Libermann." Art Journal 23, no. 3 (1964): 214-21. Accessed March 26, 2021. doi:10.2307/774474.

 

Wilkin, Karen. “Is Max Beckmann Likeable?” New Criterion 22, no. 1 (2003): 24. https://search.ebscohost.com/login.aspx?direct=true&AuthType=sso&db=pwh&AN=10760335&site=ehost-live.